Is it sacrilege to declare that the best-looking cinéma avantage in Paris was shot by a couple of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French numéraire – as well as the neoclassical edifices of Mussolini’s Rome – in calme Chagrin and shards of light as sharp https://cr-ateurs-de-contenu42346.blogcudinti.com/32793799/la-règle-2-minutes-pour-support-client-réactif